The Fool on the Hill

The Fool on the Hill

T-Bug, memory management, and Cyberpunk

By Simon Brooke || 1 January 2021

A Cyberpunk character in the T pose glitch.

I have no inside information about the development of Cyberpunk 2077, but I am a software engineer with 35 years of experience, and I have written mods for both CD Projekt and Bioware games.

Cyberpunk is essentially two products: RED Engine, and Cyberpunk itself, which runs on top of Red Engine. The engine is very much analogous to a JVM: it abstracts the platform for the game code that runs on top of it.

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Cyberpunk 2077, considered as a Witcher III DLC

By Simon Brooke || 17 December 2020

Cyberpunk 2077, considered as a Witcher III DLC

Johhny, Panam, Vixen

This is the first essay I've written on Cyberpunk 2077; I doubt it will be the last – indeed, I hope it won't, because if it is that will mean the game has failed for me. I'm currently fifteen hours in, and, at this moment, I have to say that it's on it's way towards failing. And the question you may well ask, is 'why?'

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Sexual morality in the world of the Witcher

By Simon Brooke || 19 November 2020

Triss Merigold

Monogamy, as it has developed in the west, it intimately related to the concept of heritable personal property. The male partner gains confidence that the children of the female partner, who will inherit the wealth and power he is able to accumulate, are his get; the female partner gains confidence that all the wealth and power accumulated by the male partner will be inherited by her children. Thus monogamy became established in the highest echelons of society, where there was significant amounts of wealth and power to be passed on.

Indeed, one may speculate that the reason for the sheer amount of loot buried with the elites of pre-monogamous societies was that it prevented fights about who was going to inherit.

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Virtual Cities

By Simon Brooke || 10 November 2020

Cover

A review of Dimopoulus, Konstantinos: Virtual Cities; Unbound, London, 2020. ISBN 978-1-78352-848-6.

The Pelennor Fields around Minas Tirith, as rendered in Peter Jackson's film of The Return of the King, are at best rough grazing; the land outside Cintra, in Netflix' The Witcher series, is little more than moorland. This cannot be right.

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Who is the fairest of them all?

By Simon Brooke || 26 September 2020

Emma Appleton as Renfri

There's a princess. She has a stepmother. Her stepmother has a magic mirror that always tells the truth. Her stepmother is jealous of the princess, and seeks to get rid of her. You know this story, don't you? It's Snow White. It's a fairy story. We tell it to children.

But fairy stories are almost always dark stories, almost always intensely sexual stories, and if you strip away the saccharine sweetness with which the Victorians enrobed them, you find the darkest places of human psychology.

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